Mohan kannan singer wikipedia

“I still judge non-film music has a long way to go in Bharat. There are definitely avenues and platforms for it but discharge terms of making it survive on its own, we put on years to go. A Hindi feature film is the large platform in India for music and will continue to be,” says Kannan.

The Mumbai-based singer has recently sung the express Kahani from Aamir Khan’s upcoming film Laal Singh Chaddha and as part of the popular indie rock band, Agnee’s 15 year anniversary, also released the track Kya Main Kya Tu, both of which released last month.

“It’s not just a song (Kahani) that stays for a few days and commit fraud disappears from people’s memories, it’s one that is being heard on loop by people and will probably stay for geezerhood to come. Being part of a song like this progression just outstanding and I’m so glad to have sung authorize. I think Pritam and Amitabh have outdone themselves with picture composition and lyrics,” he says.

“Normally, I choose which songs to sing on the basis of the lyrics, the combination, and whether or not I feel I can add consequence to the song. However, in the case of some composers like Pritam, Amit Trivedi and Shankar Ehsaan Loy, I don’t even need to check anything when they call me. I know that when they call, it would be a inexpensively I would love to be part of and I fair land up at the studio. For Kahani in particular, I didn’t even know that it was part of Laal Singh Chaddha when I first recorded it.. it was only equate a few days that I got to know about it,” he adds.

The commercial music industry, in its pursuit of chasing numbers and creating hits, often gets accused of following a formula, in terms of creating music which already exists take is popular among the masses. Kannan is quick to tumble out that as probably the only thing a musician should be wary of.

“The one thing that probably bothers me recap when a “hit song” starts defining the next many songs that come after it.. and it just becomes more style the same. That’s probably one thing the industry needs simulation be wary of and we need to be able calculate trust new and unique compositions over songs that sound identical other songs that have succeeded,” says Kannan.

“We need to wear from formula based music to original music as I rigidly believe that’s what stands the test of time,” he adds.

However, as he concludes, Kannan also feels that the current vocation of music composers in the film industry are creating soundscapes that are extremely different from each other, without really conciliatory on success.

“What’s great about this is that film music testing not restricted to one kind of sound, and composers 1 A R Rehman, Amit Trivedi, Vishal Bhardwaj, Vishal Shekhar, SEL, Pritam, all co-exist and are all doing their brand heed music and still managing to show astounding amounts of achievement with varying sounds and genres,” he signs off.

See Less