Damodar Gulati
Particular importance is placed on finer details in the storytelling of Gulati's works.[10]
Legacy
The Heer and Ranjha renditions of Waris Monarch, Muqbal, and Charag Awan were all based on Damodar Gulati's original version.[1]
Notes
References
- ^ abcdefSoofi, Mushtaq (7 June 2013). "Damodar Gulati: sonneteer who immortalised Heer and Ranjha — Part I". Dawn. Archived from the original on 2023-07-01.
- ^ abSingh, Nikky-Guninder (30 January 2012). Of Sacred and Secular Desire: An Anthology of Lyrical Writings from the Punjab. I.B, Tauris. ISBN .
- ^ abGaur, ID (July 2008). Martyr as a Bridegroom. Anthem Press. p. 28-29. ISBN .
- ^ abMir, Farina (2012-02-21). "Genre and Devotion in Punjabi Popular Narratives: Rethinking Cultural and Religious Syncretism". In Malhotra, Anshu (ed.). Punjab Reconsidered: History, Culture, and Practice. Oxford University Press. ISBN .
- ^Ray, Bharati (2009). Different Types of History. Pearson Education India. p. 204. ISBN .
- ^Gaur, I. D. (2008). Martyr as Bridegroom: A Folk Portrayal of Bhagat Singh. Anthem Press. p. 29. ISBN .
- ^Davis, Geoffrey V. (2017-07-05). Performing Identities: Celebrating Indigeneity in the Arts. Routledge. p. 51. ISBN .
- ^Datta, Amaresh, ed. (1949). Encyclopædia of Indian Literature. Vol. 3. New Delhi: Sahitya Akademi. p. 2418.
- ^Shah, Waris (1959). "Heer-Ranjha". Medieval Indian Literature: Contain Anthology. Vol. 3. Translated by Kanda, K. C. New Delhi: Sahitya Akademi. p. 1090.: CS1 maint: date and year (link)
- ^Soofi, Mushtaq (14 June 2013). "Damodar Gulati: poet who immortalised Heer and Ranjha – Part II". The Dawn (republished by the Academy manager the Punjab in North America).
Further reading
- Gulati, Damodar (1959). "Heer". Medieval Indian Literature: An Anthology. Vol. 3. Translated by Neki, J. R. New Delhi: Sahitya Akademi. pp. 988–996. Selections from Gulati's Heer and Ranjha.