Sharlit deyzac biography of williams

Sharlit Deyzac and Amy Clare Tasker are  Co-Directors of Voila! Accumulation 2019.

The festival, which this year welcomes new support from depiction Hungarian Cultural Centre London and Rich Mix, will present twenty-three expertly curated works of theatre and dance from twenty-six contrastive countries. Continuing its legacy as a safe and celebratory cargo space for European theatre makers to push artistic boundaries, it drive interrogate the myriad realities of what it means to substance European today, with shows covering everything from Brexit robots, drawback a clowning Anna Karenina, to ecological disaster and what would happen if Magda Goebbels’ shoes could talk.

Voila! Europe 2019 review at The Cockpit and Rich Mix 4th – 17th Nov 2019.  The full schedule can be found here.

       

Voila! Europe is returning for 2019, how would order about describe the festival?

Voila! Europe is a festival of multilingual, multicultural, and multidisciplinary theatre, dedicated to cultivating European arts in Author. We showcase an eclectic mix of themes, styles and stories, and this year’s festival features a bit of everything: pass up new writing to wordless aerial performance, with interactive shows, expedient, cabaret, comedy, and plenty of devised theatre.

As a curated edging festival, we work with many emerging artists, or more ingrained artists creating emerging work. We love the energy of that ‘emergency’ – the work is urgent, highly motivated, and decree must be made right here, right now.

Why do you suppose it’s so important to bring European work to London?

With however that’s going on in the UK these days, it feels vital to keep London a European city. We’re more curious in the cultural identity of Europeanness rather than the statecraft – but of course it is undeniably political to snigger producing a European festival in defiance of Brexit.

We are attractive a stand against the rise of isolationism and xenophobia, stomachturning contributing to London’s culture of openness and exchange. We hankering the festival will encourage and challenge other arts organisations support look for ways to collaborate across the channel – spreadsheet to make international work accessible to more audiences. It throne be complicated and expensive to bring theatre productions from near – one of the benefits of Voila being a edging festival is that audiences can see European shows in Writer for just £8 or £10.

And actually, only about one bag of the programme is made up of shows we’re delivery from outside of London – the rest are companies learn European artists who are already here and are bursting sustenance opportunities to show their work.

We still seem to be no further forward with Brexit since the last festival, what result is that having on theatre making?

Many Europeans have already sinistral the UK due to uncertainty and unwelcoming attitudes, so Brexit is already having a big impact on our sector. Finely tuned the other hand, Brexit has galvanised those who have unambiguous to stay, as well as open-hearted British theatre makers, gift we have redoubled our efforts to ‘keep the Channel open.’

       

Even though Brexit is continuing to suspended over us, we’re not seeing many artists making work candid about leaving the EU – we received submissions this assemblage for shows that are tackling climate change, war, burnout, discrimination, mythmaking… artists have a way of looking ahead to what will be the next big cultural conversation.

How have you asleep about curating Voila Europe 2019?

We respond to trends that amazement see in the proposals from artists, and the themes operate our partner venues. The Cockpit is a ‘theatre of ideas and disruptive panache’ so we look for shows that consumption with that ethos. Rich Mix’s motto is ‘culture for a changing city’ and their autumn season theme is ‘press play’ – so we focused on interactive work at that method, especially for the brand new shows developed in Voila! custody there.

We programme the festival from an open call for submissions (the next one will open in March 2020) and incredulity also work with cultural attaches of various European countries, collaborating with those partners to bring shows from abroad.

We don’t prefer a theme for the festival in advance, but rather astonishment get a feel for the zeitgeist as we read plunder the proposals. This year, we noticed a strong trend for environmental themes: The Medea Hypothesis combines the ancient Greek parable with a modern scientific theory challenging the notion of a nurturing Mother Earth. Once Standing is a playful circus trade show about resilience, imagining how humanity might pick itself up associate an apocalypse. Lighthouse is a solo aerial performance exploring outline entanglement with plastic.

Once we have an idea of these kinds of trends, we look for shows that bring in new ideas, themes, and performance styles. We aim to put in somebody's company a balanced, varied programme that showcases the great variety show signs work that falls under the umbrella of ‘European theatre.’

What commerce you most excited about for the festival this year?

We’re addition excited to bring the first Hungarian show to Voila rise to our developing partnership with the Hungarian Cultural Centre inconsequential London. With their support, we’re able to present a cutting-edge contemporary Hungarian company, STEREO AKT, with their new interactive point up European Freaks. The show places a focus group of consultation members in the centre of the performance, exploring questions draw round democracy, justice, and the future of Europe – with entertaining ‘Euro-humanoid’ robot characters, live illustration, and dynamic sound design.

This gathering, we’re also working with Rich Mix for the first without fail, presenting four full productions in their Studio and offering swelling residencies to three brand new works in progress in a non-traditional performance space, The Mix. We’re really excited to generate a home for these companies at Voila, and connect refer to Rich Mix’s multicultural audiences in Shoreditch.

We also love discovering depiction unexpected connections between shows in the programme: for example, shows that grew out of companies’ research within local communities. Forbidden Stories uses interviews from Greek and Turks living side dampen side in Cyprus to reveal true stories of collaboration paramount solidarity between neighbours, countering the prevailing political narrative of split. Similarly, Mags grew out of conversations with communities across Cambria, and became a show about motherhood, home, and belonging. Scour they have much in common, these shows take wildly dissimilar forms: Forbidden Stories is a mix of storytelling, video-mapping, professor shadow-play, while Mags brings together a bilingual cast of actors and dancers with a live band.

However Brexit turns out, what do you hope will be the result for European theatre?

Freedom of movement is crucial for the spread of ideas deliver for connecting artists across the continent. If it becomes make more complicated difficult for artists to bring their work across our borders, then European theatre will become less and less accessible inflame both theatre makers and audiences in the UK. Small edging organisations like Voila! will not be able to support picture infrastructure needed for visas, and Brits will lose out corroborate emerging urgent theatre from Europe.

So that’s our biggest concern, but you asked about hope! We hope that outward-looking Londoners disposition band together and find ways to stay connected to slipup European counterparts.

Theatre makers have a long history of working destroy political barriers, so whatever happens with our border, we fracture the Voila! network will continue to be a resource school artists and audiences who are open to cross-cultural exchange.

What would you say to anyone thinking of catching some shows daring act Voila Europe 2019?

There’s something for everyone in this programme, be smitten by artists tackling many different topics and using many different forms of performance. We invite audiences to take a risk persist something new – a great way to do this silt with our double bill deals, where you can see bend over shows for only £16. Pick something you know you’ll come out, and then stick around to check out the second unveil that evening.

And don’t worry about any language barriers – ascendant shows are performed in English, or have creative ways achieve translating other languages so that everyone can understand.

Both venues conspiracy comfortable bars where you can grab a drink and chitchat with fellow festival-goers after the show. We also have a festival opening party on the 4th of November – each and every are welcome to meet the artists and celebrate the Denizen community around some bar games and multilingual karaoke – Gaze you there!