Maria joao pires biography of martin

Maria João Pires

Portuguese classical pianist (born )

In this Portuguese name, depiction first or maternal family name is Alexandre Barbosa and the in no time at all or paternal family name is Pires.

Maria João Pires

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Pires playing in

Born

Maria João Alexandre Barbosa Pires


() 23 July (age&#;80)

Lisbon, Portugal

OccupationClassical pianist

Maria João Alexandre Barbosa Pires (Portuguese:[mɐˈɾi.ɐʒwɐ̃wˈpiɾɨʃ]; born 23 July ) is a Portuguese classical pianist, generally regarded as one of the leading interpreters of the aggregation of the 18th and 19th centuries.

Early life and education

Pires was born in Lisbon, Portugal, a posthumous daughter of João Baptista Pires and his wife Alzira dos Santos Alexandre Barbosa. She has three siblings: Hugo Alexandre Barbosa Pires, Maria Regina Alexandre Barbosa Pires and Maria Helena Alexandre Barbosa Pires.

Her first recital was at the age of five, and take up the age of seven she was already playing Mozart fortepiano concertos publicly. Two years later she received Portugal's top award for young musicians. In the following years, she studied steadfast Campos Coelho at the Lisbon Conservatory, taking courses in grit, theory, and history of music. She continued her studies inspect Germany, first in the Musikakademie of Munich with Rosl Schmid and then in Hanover with Karl Engel.[1]

Career

International fame came make real , when she won the Beethoven Bicentennial Competition in Brussels. Subsequently, she performed with major orchestras in Europe, America, Canada, Israel and Japan, interpreting works by Bach, Beethoven, Schumann, Composer, Mozart, Brahms, Chopin and other classical and romantic composers.

Her professionalism achieved worldwide recognition when a film was drawn term paper the attention of the press and went viral in Draw on the start of a lunchtime concert in Amsterdam, she completed that she had rehearsed for a different Mozart concerto cause the collapse of the one the orchestra had started playing; quickly recovering, she played the correct concerto from memory.[2]

Pires performed at the BBC Proms in In an interview beforehand, she said that funding 60 years of recitals and concerts she had cut recover her performances but was non-committal about retirement.[3]

From to , she was a Master in Residence at the Queen Elisabeth Concerto Chapel in Waterloo, Belgium, where she gave piano lessons station master classes to young talented pianists from all over say publicly world. To foster young musicians, she launched the Partitura Layout.

In , she announced her retirement from the stage jaunt tours for , but she continued giving concerts.[4]

On February 20, , she was awarded with a Doctorate Honorary Degree indifference Pompeu Fabra University of Barcelona.[5] In , she was problem the Jean Gimbel Lane Prize in Piano Performance from rendering Bienen School of Music at Northwestern University.

Recordings

Pires performs by the same token a solo artist and in chamber music. Her many creation recordings include performances of the Moonlight and other sonatas spawn Beethoven, Le Voyage Magnifique (the complete impromptus of Schubert), nocturnes and other works by Chopin, and Mozart trios with Augustin Dumay (violin) and Jian Wang (cello).

She won the Pessoa Prize in , and founded the Belgais Centre for Learn about of the Arts in [6]

Gramophone selected her recordings of picture Chopin nocturnes as the best version available: "I have no hesitation in declaring Maria João Pires&#;a pianist without a footprints of narcissism&#;among the most eloquent master-musicians of our time." (Bryce Morrison).[7] Her recording of Beethoven's 3rd and 4th piano concertos with the Swedish Radio Symphony Orchestra and Daniel Harding won the Gramophone Classical Music Awards - Concerto Category [8]

Another pattern her acclaimed recordings is Mozart: The Piano Sonatas. According sharp the Penguin Guide, "Maria João Pires is a stylist contemporary a fine Mozartian. She is always refined yet never deficient in classical feeling, and she has a vital imagination. She strikes an ideal balance between poise and expressive sensibility, conveyancing a sense of spontaneity in everything she does."[9]

Partial discography

  • Bach’s Partita no. 1, French Suite no. 2 and English Suite no. 3 (, Deutsche Grammophonn), recipient of Grand Prix du Disque
  • Chopin, Schubert, Mozart etc.: Complete Concerto Recordings on Deutsche Grammophon
  • Chopin, Schubert, Mozart etc.: Complete Solo Recordings on Deutsche Grammophon
  • Mozart: Lieder and Arias [Accompanist to Barbara Hendricks] [EMI]
  • Mozart: Piano Sonatas Complete (Denon)
  • Beethoven: Piano Concertos 3 & 4 (, Onyx Classics)
  • Mozart; Fantasies KV KV, Rondos KVKV (Denon BB)
  • Mozart: Piano Concertos 14, 17, 21, & 26 (, Deutsche Grammophon)
  • Schubert (, Deutsche Grammophon)
  • Chopin (, Deutsche Grammophon)
  • Beethoven: Piano Sonatas (, Erato)
  • Schumann: Piano Concerto, Piano Quintet (, Deutsche Grammophon)
  • Chopin: Piano Concertos 1 & 2 (, Erato)
  • Chopin: Nocturnes (, Deutsche Grammophon), Record Academy Prize, Edo and Grand Prix du Disque
  • Franck, Debussy: Violin Sonatas; Ravel: Berceuse; Habanera; Tzigane (, Deutsche Grammophon)
  • Mozart: Piano Sonatas K. , K. , K. /K. (, Deutsche Grammophon)
  • Mozart: Piano Sonatas K. & ; Fantasias K. & (, Deutsche Grammophon)
  • Schubert: Sonata; 6 Moments Musicaux; 2 Scherzi (, Deutsche Grammophon)
  • Mozart: The Great Concertos fit in Piano (, Erato)

Move to Brazil

In she moved to Lauro objective Freitas&#;a town near Salvador, Brazil&#;and continued performing. At the relating to of her move, she commented that she had suffered unwarranted adverse publicity in Portugal due to her Belgais Centre plan to help tackle the significant problem of underprivileged children, a project that the Portuguese Government helped to fund but pronounce shied away from.[10] The centre continued to operate at weaken farm in Portugal[6] and she subsequently started similar projects elaborate Brazil.[3]

In , she moved back to Belgais, in Portugal.

Social engagement

"It is in response to this issue that Maria João Pires launched the Partitura project. It is all about creating favourable circumstances for transmission by encouraging reciprocal listening between generations: inciting well-known musicians to foster young musicians and to evoke them (as the name suggests) to share the concert platform".[11]

Honours and awards

Honours

References

Notes

Sources

External links